跪求:美国女排主攻手汤姆 有没有什么好听的轻音乐

姓名：汤姆·洛根
性别：女
出生地：美国犹他州盐湖城
国籍：美国
项目：排球
出生日期：1981-05-25
身高：186cm
体重：80kg
主要战绩：2001年全美大学生女排联赛冠军；2002年女排世锦赛亚军；2003年世界杯第三名。
汤姆·洛根被称为是美国女排的第一美女；汤姆的爷爷是中国人；拥有四分之一的中国血统。
雅典奥运会汤姆·洛根曾经改打沙排，但郎平带美国队汤姆重新归队。主要是因为汤姆想要参加北京奥运会。看来，不久后她将有望重现昔日风采。

有没有什么好听的轻音乐

我给你介绍几首，这些是我听过的经典中的经典，相信你会喜欢的
姬神；
1.穿越森林
2.千年的祝福
3.抬头看烟花灿烂姬神
雅尼（yanni）
1.天韵（又名“天下一家”）(现在百度上好像没有，建议你下载一个酷狗播放器，那上面有）
2.和兰花在一起（withanorchid）（凤凰卫视天气预报背景音乐)
3.ificouldtellyou
4.highland
宗次郎
1.故乡的原风景（神雕侠侣背景音乐）
贾鹏芳
1.睡莲（二胡曲,有点悲凉）
班得瑞；
1.beyondtheinvisible隐喻（这个最好在gougou上下载，百度上很多时间都没有）
2.adiemus安迪姆斯
3.newmorning清晨
4.snow静静的雪
5.snowdream雪之梦
6.thedaylight
7.thesoundsofsilence（寂静之音）
8.throughthearbor穿过树荫
9.heavenbluenet蓝色天际
10.onedayinspring春野
11.依卡路斯的羽翼
12.bandari_melody-of-love（山东电视台生活频道天气预报背景音乐）
付上几首好听的其他的轻音乐
1..追风的女儿笛子
2.月光下的凤尾竹葫芦丝
3.阿里山的姑娘笛子
4.婚誓葫芦丝
5.持戒-纯音乐（静心音乐）
6.云海-纯音乐（静心音乐）
7.忆思-纯音乐（静心音乐）
8.甘露-纯音乐（静心音乐）
9.themagnificentseven豪勇七蛟龙elmerbernstein
10渔舟唱晚，潜水姑娘（中央电视天气预报背景音乐）
（打开网页，找到这个曲子，点右键用迅雷下载即可）
11.水边的阿狄丽娜理查德克莱得曼balladefouradeline（钢琴）
12.森林狂想曲

求勇敢的心观后感一篇，英文的，300字左右

1
wagsenjoyrazzingthe13th-centuryscottishepicbraveheart,starringmelgibsonintheroleoffreedomfighterwilliamwallace,asdiehardinakilt.waittilltheygettotheknobbyquestionofhowgibson'skneesstackupagainstliamneeson'sinrobroy.nomatter.gibsongetsthelastlaugh.braveheartresistsglibcategorization.thisrousing,romanticadventureislacedwithsorrowandsavagery.theaudacitygibsonshowsasthefilm'sdirectorextendstotherunningtime,whichisnearlythreehours.hamlet,withgibsonplayingthemelancholydane,wasshorter,andbraveheartisn'tshakespeare.don'tpanic.thoughthefilmdawdlesabitwiththeshimmery,dappledlovestuffinvolvingwallacewithascottishpeasantandafrenchprincess,theactionwil**inyoutoyourseat.withbreathtakingskill,gibsoncapturestheexhilarationandhorrorofcombatinsomeofthemostvividbattlesceneseverfilmed.
wallacewasknightedforleadinghispeopleinthefightagainstdominationbyengland.fewfactsareknownabouthispersonallife,whichfreesgibsonandscreenwriterrandallwallace(norelation)torunwiththelegendpasseddownmostlyfromtherhymingverseofapoetknownasblindharry.it'sashamethatharrypredateshollywoodbyfivecenturies--hecouldhavemadeakillingcrankingoutkick-asscrowdpleasers.
gibson'swallaceisapotentblendofrobinhood,attilathehunand,yes,thewagswereright,detectivejohnmcclaneindiehard.wallacecouldrelatetoanystorythatpitsonepissed-offfighteragainstthesystem.hefacedanenglisharmyledbybad-to-the-bonekingedwardthelongshanks,playedbypatrickmcgoobaninaclassicportraitofslitheringsadism.wallacealsohadtoinspirescottishpeasantsandnoblestofollowhisleadagainstdauntingodds.
it'sarippingyarn,andgibsoncouldhaveslidbywiththeusualhackheroics.kevincostner'srobinhood:princeofthievesdidjustthatandstillearnedapile.gibsondoesitthehardwaywithattentiontodetail.hehasretainedthekeeneyeforcharacterheshowedinthemanwithoutaface,hispromising1993directingdebut.wallacedoesn'tspringtolifeasafull-blownlegend,thoughhedoesspeaklatinandfrenchwhenhereturnstohisvillageinscotlandtosettledownasafarmerandmarrymurron(themeltinglylovelycatherinemccormack),hischildhoodsweetheart.it'sthebrutalfatedishedouttomurronbytheenglishthatmakesthefarmeranoutlaw.
that'swhenwallaceorganizesthevillagersintoaragtagmilitia.brendongleeson'shamish,jamescosmo'scampbellandalunarmstrong'smornayregisterstrongly,asdoesdavido'hara'sstephen,theirishwarriorwhojoinsthescottishcause.theteasingcamaraderiebotchedinrobinhoodisexpertlyhandledhere.gibson'simpassionedperformanceastheherowhowouldnottradehisfreedomforenglishgolddoesn'tshrinkfromshowingthebarbarianwhoemergesatacalltoarms.
"areyoureadyforwar?"wallaceshoutstohisoutnumberedtroopsatstirling.it'sthefilm'sfirstmajorbattlesceneandatriumphforgibson.tryingtostirhundredsoffatiguedsoldierstoaction,wallacerideshishorsebackandforthinafranticefforttobeheard.inmosthistoricalfilms,thestationarystarmanagestomovemultitudeswithathroatywhisper.gibsonjettisonsthehollywoodfakery.ridingamongthemen,hisfacestreakedwithwoad(abluedyeusedtoterrifytheenemy)andhisvoicehoarsefromyelling.wallaceisademonwarriorcryingoutforvengeance.
cinematographerjohntoll,anoscarwinnerforlegendsofthefall,thruststheaudienceintothebrutalfraysatstirling,yorkandfalkirk.superblyeditedbystevenrosenblum(glory),thesesequencesrecallthebloodpoetryofwelles'chimesatmidnightandkurosawa'ssevensamurai.sophisticatedweaponrywascenturiesaway.thescotsusedhammers,axes,picks,swords,chainsandevenfarmtoolstocrackskullsastheybatteredtheenglishinthemud.theyalsosetoiltrapsonthegroundtoburntheirenemies,thoughshieldsandchainmailofferedscantprotectionagainsttherainofenglisharrows."quitethelovelygathering."sayslongshanks,surveyingthecarnageanddispatchinghisofficerstosendinirishvolunteersinsteadofexpertenglisharchers."arrowscostmoney,"hesneers.
gibson'shandlingofwallaceatwarissothrillinglydonethatoneregretsthesubplotsthatdistractfromtheaction.wallace'sflirtationwiththeking'sfrenchdaughter-in-law,princessisabelle(sophiemarceau),isfancifulfluffthatundercutshisundyingloveformurron,andtheking'shomophobicrevengeonhispreeningson,princeedward(peterhanly),andtheson'sboytoy,phillip(stephenbillington),comesoffasinexplicablegaybaiting.judiciouscuttingmighthavesharpenedthefilm'sfocusandimpact.
still,don'tgetyourkiltinabunch****aspectaclethatprovokessuchlivelydebateaboutthemethodandmadnessofwar.filmedwithfuriousenergyandsurprisinggravity,bravehearttakesthemeasureofaherowithatasteforbloodtomatchhistasteforhonor.wallaceisaninspiring,unsettlingrole,andgibsonplayshim,aptly,likeagatheringstorm.
2
braveheartisanaction/dramamovieaboutwilliamwallace(melgibson).thefilmisnolessthanamazinginanyway.thoughthemoviesportsuswitha177minuteruntime,itisamazingtoseetheinterestingwayinwhich,melgibsonbehindthecamera,workshismagic.astheactingismagnificent,andthewarsequencesarebrutalandviolent,thefilmworksoutasamoviewhichwillalwaysberememberedasaclassic.
thefilmfocusesonwilliamwallace,growingupasakid,hisfatherwasafighter.afterhisdeath,hisuncletookhimintowatch****him,andteachhimhowtofight.whenheisolderthough,hemeetsmurronmacclannough(catherinemccormack).afterhewedswithher,sheismurdered.nowavengingherdeath,williamsetsoutotfightforhisfreedom,hisjusticeandtherighttolive.
melgibsondidreallyanamazingjoboncapturingthecharacterofwilliamwallace.puttingontheirishaccent,heshowsusthatheisagreatactorandcandosomethingswhichweneverthoughthecoulddo.behindthecamreathough,melisacompletelydifferentkindofperson.hecapturesthefightscenesperfectlyandbeautifully.theonethingthatwasdonewellthough,wasthegreatlyrealisticviolenceandbrutalwarfareofthefilm.theviolenceisspillednicely,andrealistically.
3
braveheartisanotherfilmdirectedbyitsstar,melgibson.closeontheheelsofrobroy,thisisthesecondtributetoalegendaryscottishhero,thistimeroundwilliamwallace,thegreatmedievalwarriorleader.thoughlesscleverthanitspredecessor,itismuchgranderinitsnearlythree-hourepicsweep.
theobviouscomparisoniswithhenryv(theolivier,notthebranagh),andeventhoughrandallwallacemaynotbequitesogoodascreenwriterasshakespeare,themoviecanholditsown.randallwallacecallshimselfthespiritualdescendantofwilliamwallace,andhehasdeftlyincorporatedthenotmanyknownfactsabouthisnamesake,andaddressedthelegendwithgustoandeloquence.theresultisanepicthat,afewexcessivelyromantictouchesnotwithstanding,ismorerealisticthanmost.thesemedievalscotsliveinferocious-lookinghovels,seem(atleastthemen)heroicallyunwashed,andhavecoiffuresinwhichakestrelcouldnest.thefriendlypuncheswithwhichtheycommunicatecouldeasilykillalesserfellow--anenglishman,say.braveheartaimstobeathinkingman'sepic.``it'sourwitsthatmakeusmen,''youngwilliam'sdatellshim,and,afterdaandbigbrotherarekilledbytheenglish,uncleargyllcontinuestheboy'seducationalongsimilarlines.prettysoonwilliamhasturnedintomelgibson,ayoungmanwhowantstosettledownandliveinpeace.buttheenglisharemakingthingshard,whatwithsuchthingsasiusprimaenoctis(inthefilm,moreterselybutlesscorrectly,theprimanocte)givingtheenglishmagistratetherighttodeflowereachlassieonherweddingnight.braveheartrendingbusiness,that.finallywilliamsecretlymarriesthebonniestoflasses,murron--playedbythebreathtakinglybeautifulandtalentedcatherinemccormack--buttheenglishgetwindofit,andwhenshewon'tputoutforthem,slitherthroatinashatteringsceneirradiatedbymissmccormack'sperformance.sowilliamturnsavengerand,byonesmallfurtherstep,leaderofthescottishpopulace(asopposedtothenobles,subornedbyedwardlongshanks,themachiavellianenglishking).thereareplotsandcounterplotsasthenoblessabotagewilliam'sefforts,androbertthebruce,whowantstohe**him,ispreventedbyhisleprousfather(wel**layedbyianbannen),whoexpectsthenoblestocrownhissonking.andmuch,muchmore.thelovescenesareso-so,thepoliticalscenesho-hum,butthefighting--bothindividualcontestsandmassbattlescenes--isfirst-rate,barbaric,andsublime.youmightthinkthatsomuchbattlestuffwouldpallafterawhile:howmuchslashing,chopping,sta****g,andskewering--nottomentionmanglingandincinerating--cantherebewithoutdiminishingreturns?quiteabit;gibson,togivehimhisdue,comesupwithnewformsofwarfare,betterwaystoturnchargingmenandhorsesintoshishkebabs,newmodesofbatteringdowncastlegatesinarainofboilingpitchfromthebattlements,freshtrickstooutsmarttheenemy.andwhereasthismuchviolencewithmodernweaponswouldbeunbearable,withmedievalarmsitbecomesheroicandexhilarating.thereissomethingappealingaboutmelgibson--theruggedlymasculinecountenance,thequickhalf-smile,theknackofconveyingblue-eyedhurt(aswhenhedisc****sthebruceunderanenemyhelmet),andasquarer-jaweddeterminationthandicktracy's--thatsustainsbravehearteventhroughtheunlikelysceneswithisabelle,theprincessofwales(indifferentlyplayedbysophiemarceau),andthroughthewallace's--orthegibson's--unconvincingdisplaysofpolyglotism.addtothisthebeautiesofscotland,searchinglychronicledbyjohntoll'sinexhaustiblecamera,thesolidsupportingperformancesamongwhichpatrickmcgoohan'ssardonic-sadisticedwardiisespeciallynoteworthy(neverbeforehaveterminalconsonantsbeendrawnouttosuchironiclength),andtheintelligentlydeployedmusicbyjameshorner.ascottishacquaintance,georgecampbell,questionstheuseofthesweeteruilleann(irish)bagpipesratherthanthefiercerhighlandonesduringthebattlescenes,butthesescenesaresoexcitinghornercouldhaveusedmarimbasandiwouldn'thavenoticed.thefilmputmeinmindofafour-linepoembyscotland'sgreatestmodernpoet,hughmacdiarmid:theroseofalltheworldisnotforme.iwantformypartonlythelittlewhiteroseofscotlandthatsmellssharpandsweet--andbreakstheheart.andthatishighpraise.
4
whatistherethatcanbesaidaboutbraveheartthathasn’tbeensaidbefore?it’sanepicmoviethatoughttobeintheconversationaboutthebestfilmsofthepastthirtyyears.andactually,“epic”mightbetoosmallofaword.braveheartisasmuchabouttheinnerdramaofwilliamwallaceasitisaboutthelife-and-deathdramaofthewarforscotland’sindependenceinthelate13th,early14thcenturies.it’sastorytoldonagrandscalewithagreatdealcraft–andflair(andhumor).thisisamoviethatoffersbothstyleandsubstance.it’sadirectprecursortothesuccessofthelordoftheringsmovies–indeed,onecanarguethatthesuccessofbraveheartsetthestageforthosefilms.true,braveheartmaynothaveuniversalappealintermsofgenre,story,oritsbruta**ortrayalofwar.buttherecanbelittledoubtofthevalueofafilmthatis,simply,oneofthebestihaveeverseen.
thesuccessofthefilmrestsonthebalancewithwhichthestoryunfolds.putsimply,there’ssomethinghereforeveryone:romance,action,character,philosophy,conflict,cinematography,greatlines,music,andsoon…anditallfitstogetheralmostflawlessly.i’msureifyoulookedhardenoughyoucouldfindfaultwithsomepartsofthemovie,butconsideringitsnearlythree-hourruntimeitmanagestoavoidpitfallsremarkablywell.
thisiswilliamwallace’sstory.andthroughhim,theaudienceisallowedamirrorwithwhichtoviewitself.thisisthetruemeasureofagreatstory:itsabilitytonotonlyprovidecommentary,butalsotoprovokeintrospection.andthathappensherequiteoften.oneofthefilm’smostquotedlinesis“everymandies,noteverymanreallylives.”withinjustthosesevenwordsthereisagreatdealofthoughtandsentiment.itencapsulatesaphilosophy,araisond’être,thatanyonecanimmediatelyidentifywith.andit’sabeautifu**hilosophy–likecarpediem.anditencouragesustofindthepurposeandmeaningwithinourlivesonadailybasis.
thisisalsoalovestory,betweenwilliamwallaceandmurron–achildhoodfriend.theirsisastorythatflowseffortlesslyfromchildhoodtragedyandbonding,toadulthoodromanceandmarriage.indeed,itismurron’smurderthatprovestobewallace’smotivationtolaunchhispersonalwaragainstenglandwhoseking,edward‘thelongshanks’isportrayedwithapowerfullybrutalityinthefilm,makinghimaverycompellingvillain.
wallace’squestisjoinedbyacastthatisquiteadeptintheirroles.therearehardlyanyweaklinksintheactingofthismovie,whichmeansthattheunderlyingthemesandconflictsareportrayedtomaximumeffectfromstarttofinish.melgibson’sdirectingcertainlyhastobecreditedforsomeofthatsuccess.
thisis,withoutquestion,gibson’sfilm.andit’snotwithoutacertainpartofvanityfromtheleadactoranddirector.ifyouwerelookingforacritique,thiswouldbethemostfertilegroundforit.butforthemostpart,whatevervanitygibsonmayhavebeendisplayingis**********edbythecraftofeverythingelse.theactionisriveting,thedialogueiscrisp(andprofound)andthemusicisdeeply,deeplymoving.
jameshorner’sscoresuccessfullytapsintotheheritageofscotlandwhiledisplayingafullorchestra**resentation.theinstrumentationandarrangementsareallverywelldone,fromwaveringflutetothebagpipestothe*******ouspercussionduringbattlesequences.
5
iusedtothinkthatthehistoryofscotlandaroundtheendofthethirteenthcenturywasoneofthosereallycomplicatedandmessyaffairsthatcouldsendanyhistorianintoafitofso****g.soimaginemysurpriseasidisc****edit'sreallyallaboutabunchofrowdyguysmooningeachotheracrossabattlefieldandthenplayingdodgeball.
"braveheart"isoneofthoseaudaciousfilmsthatimpliesthatwaris"bad"byputtingtheviolenceattheforefront,slowingitdownandtossinginlotsofextrablood,piercings,sta****gs,castrations,amputationsandassortedmutilationswithrandominsertionsofmel'sbutt--justtomakesurethatthewomengetintoittoo.thisisalltoppedoffbyareallylongandprotractedmomentwherethecameralovinglydotesonmelgibsonasheistakentoaplatformtobetortured.it'sthekindofmomentthatmakespreschoolerspointtothescreenandsay,"christfigure!christfigure!"eitherthator:"look!he'sshamelesslygroominghimselffortheoscars!"(oscarcommitteeslovechristfigures.)
afterthreedelirioushoursthemessageisclear:buyanax,killalotofpeople,wearakilt,showyourbutt,screwaprincessand(ifyouhavesometimeleft****)repeatthis****and****and****and****and****...untilyougetcaught.ifeveramoviecriedoutforahalftimebreak,thiswasit.

乔丹的介绍(英文)

michaeljeffreyjordan(bornfebruary17,1963)isaretiredamericanprofessionalbasketbal**layer.widelyconsideredoneofthegreatestbasketbal**layersofalltime,hewasamongthemosteffectivelymarketedathletesofhisgenerationandwasinstrumentalinpopularizingthenationalbasketballassociation(nba)aroundtheworldinthe1980sand1990s.
afterastand-outcareerattheuniversityofnorthcarolina,jordanjoinedthenba'schicagobullsin1984.hequicklyemergedasoneofthestarsoftheleague,entertainingcrowdswithhisprolificscoring.hisleapingability,illustratedbyperformingslamdunksfromthefreethrowlineatslamdunkcontests,earnedhimthenicknames"airjordan"and"hisairness".healsogainedareputationasoneofthebestdefensiveplayersinbasketball.in1991,hewonhisfirstnbachampionshipwiththebulls,andfollowedthatachievementwithtitlesin1992and1993,securinga"three-peat".thoughjordanabruptlyleftthenbainoctober1993topursueacareerinbaseball,herejoinedthebullsin1995andledthemtothreeadditionalchampionships(1996,1997,and1998).his1995–96bullsteamwonannba-record72regular-seasongames.jordanretiredforasecondtimein1999,buthereturnedfortwomorenbaseasonsasamemberofthewashingtonwizardsfrom2001to2003.
jordan'sindividualaccoladesandaccomplishmentsincludefivenbamvp(mostvaluableplayer)awards,tenall-nbafirstteamdesignations,nineall-defensivefirstteamhonors,fourteennbaall-stargameappearancesandthreeall-starmvps,tenscoringtitles,threestealstitles,sixnbafinalsmvpawards,andthe1988nbadefensiveplayeroftheyearaward.heholdsthenbarecordforhighestcareerregularseasonscoringaveragewith30.1pointspergame,aswel****veragingarecord33.4pointspergameintheplayoffs.in1999,hewasnamedthegreatestnorthamericanathleteofthe****centurybyespn,andwassecondtobaberuthontheassociatedpress'slistofathletesofthecentury.
jordanisalsonotedforhisproductendorsements.hefueledthesuccessofnike'sairjordansneakers,whichwereintroducedin1985andremainpopulartoday.jordanalsostarredinthe1996featurefilmspacejam.heiscurrentlyapart-ownerandmanagingmemberofbasketballoperationsofthecharlottebobcatsinhishomestateofnorthcarolina.
jordanwasashootingguardwhowasalsocapableofplayingsmallforward.jordanwasknownthroughouthiscareerforbeingaclutchperformer.hedecidednumerousgameswithlast-secondplays(e.g.,theshot)andperformedwellunderadversecircumstances(e.g.,flugame).hiscompetitivenesswasvisibleinhisprolifictrash-talk[79][80]andsolidworkethic.[81][82]
jordanhadaversatileoffensivegame.hewascapableofaggressivelyslashingtothebasketanddrawingfoulsfromhisopponentsatahighrate;his8,772freethrowattemptsaretheninthhighesttotalofalltime.[83]jordancouldalsopostuphisopponentsandscorewithhistrademarkfadeawayjumpshot,usinghisleapingabilityto"fadeaway"fromblockattempts.accordingtohubiebrown,thismovealonemadehimnearlyunstoppable.[84]jordan's5.2assistspergame[6]indicatehiswillingnesstodefertohisteammates.inlateryears,heextendedhisshootingrangetobecomeathree-pointthreat,risingfromalow9/52rate(.173)inhisrookieyearintoastellar111/260(.427)shooterinthe1995–96season.[6]foraguard,jordanwasalsoagoodrebounder(6.2pergame)[6].
ondefense,jordan'scontributionswereequallyimpressive.in1988,hewashonoredwiththenba'sdefensiveplayeroftheyearawardandbecamethefirstnbaplayertowinboththedefensiveplayeroftheyearandmvpawardsinacareer.inadditionhesetrecordsforblockedshotsbyaguard,[85]andcombinedthiswithhisball-thievingabilitytobecomeastandoutdefensiveplayer.his2,514stealsarethesecondofall-timebehindjohnstockton.[86]jerrywestoftenstatedthathewasmoreimpressedwithjordan'sdefensivecontributionsthanhisoffensiveones.[87]
personallife
jordanisthefourthoffivechildren.hehastwoolderbrothers,larryjordanandjamesr.jordan,jr.,oneoldersister,deloris,andayoungersister,roslyn.jordan'sbrotherjamesretiredin2006asthecommandsergeantmajorofthe35thsignalbrigadeofthexviiiairbornecorpsintheu.s.army.[102]
hemarriedjuanitavanoyinseptember1989,andtheyhavetwosons,jeffreymichaelandmarcusjames,andadaughter,jasmine.jordanandjuanitafiledfordivorceonjanuary4,2002,citingirreconcilabledifferences,butreconciledshortlythereafter.theyfiledfordivorceagainondecember29,2006commentingthatthedecisionwasmade"mutuallyandamicably".[103][104]itisreportedthatjuanitawillreceivea$168millionsettlement,makingitthelargestcelebritydivorcesettlementinhistoryonpublicrecord.[105]
onjuly21,2006,acookcounty,illinoisjudgedeterminedthatjordandidnotoweaformerl****,karlaknafel,$5million.[106]knafelclaimedjordanpromisedherthatamountforremainingsilentandagreeingnottofileapaternitysuitafterknafellearnedshewaspregnantin1991.adnatestshowedjordanwasnotthefatherofthechild.[106]
asof2007,jordanlivesinhighlandpark,illinois,[103]andbothofhissonsattendedloyolaacademy,aprivateromancatholichighschoollocatedinwilmette,illinois.[107]jeffreygraduatedasamemberofthe2007graduatingclass,andplayedhisfirstcollegiatebasketballgameonnovember11,2007fortheuniversityofillinois.marcustransferredtowhitneyyounghighschoolafterhissophomoreyearandwillgraduatein2009.
awards
*14timeall-star
*olympicgoldmedalist—1984,1992
*fivetimemvp—1988,1991,1992,1996,1998
*7timethesportingnewsmvp
*rookieoftheyear—1984
*defensiveplayeroftheyear—1988
*11timesall-nba—10timesfirstteam,1timesecondteam
*9timeall-defensivefirstteam
*sportsillustrated"sportsmanoftheyear"—1991
*namedoneofthe50greatestplayersinnbahistoryin1996
records
*mostscoringtitles—10
*mostnbafinalsmvpawards—6
*highestcareerscoringaverage—30.12
*highestcareerscoringaverageplayoffs—33.45
*mostconsecutivegamesscoringindoublefigures—866
*highestsingleseriesscoringaveragenbafinals—41.0(1993)